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Virginia Woolf - a brief annotated biography
English
novelist and essay writer Virginia Woolf (1882–1941) is regarded as one
of the foremost literary figures of the twentieth century, one of the
greatest innovators in the English language.
In her
works she experimented with stream-of-consciousness, the underlying
psychological as well as emotional motives of characters, and the
various possibilities of fractured narrative and chronology.
In the
words of E. M. Forster, she pushed the English language "a little
further against the dark," and her literary achievements and creativity
are influential even today.
The basic text above
and below is from
the Wikipedia
profile.
Boxes like this contain notes
and links to related material on the Talent Development Resources site
and blogs, indicating some of the many aspects of her life that may
resonate with contemporary artists and other gifted and talented
people. [Notes
by Douglas Eby.]
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Born Adeline Virginia Stephen in London to Sir Leslie Stephen and Julia
Prinsep Stephen, she was educated by her parents in their literate and
well-connected household at 22 Hyde Park Gate, Kensington, with its
immense library from which Virginia (unlike her brothers, who were
formally educated) was taught the classics and English literature.
Her most famous works include the novels Mrs. Dalloway (1925), To the
Lighthouse (1927), and Orlando (1928), and the book-length essay A Room
of One's Own (1929) with its famous dictum, "a woman must have money
and a room of her own if she is to write fiction".
Pages on various aspects of supporting talent development and
creative achievement include:
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The sudden death of her mother from influenza in 1895, when Virginia
was 13, and that of her half sister Stella two years later, led to the
first of Virginia's several nervous breakdowns. The death of her father
in 1904 provoked her most alarming collapse and she was briefly
institutionalised.
Her breakdowns and subsequent recurring depressive periods, modern
scholars have claimed, were also induced by the sexual abuse she and
Vanessa were subject to by their half-brothers George and Gerald (which
Woolf recalls in her autobiographical essays A Sketch of the Past and
22 Hyde Park Gate).
Throughout her life, Woolf was plagued by drastic mood swings. Though
these recurring mental breakdowns greatly affected her social
functioning, her literary abilities remained intact.
Modern
diagnostic techniques have led to a posthumous diagnosis of bipolar
disorder, an illness which coloured her work and life, and eventually
led to her suicide.
Vara Neverow, president of the International Virginia Woolf
Society, says the film "The Hours" [starring Nicole Kidman]
inaccurately portrays Woolf as an invalid madwoman.
Both Virginia and her husband Leonard were outspoken socialists and
intellectuals, and they had decided that if the Germans invaded their
town they would kill themselves rather than be taken prisoner and sent
to concentration camps.
When her home began to be threatened by German fighter planes, Virginia
''just couldn't keep it together,'' says Neverow.
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Woolf married writer Leonard Woolf in 1912. Many biographers have
concluded that the marriage was never fully consummated, and that
Woolf's sexuality was primarily directed toward women.
However,
the couple shared a close bond, and in 1937 Woolf wrote in her diary
"Love-making — after 25 years can’t bear to be separate ... you see it
is enormous pleasure being wanted: a wife. And our marriage so
complete."
They also collaborated professionally, in 1917 founding the Hogarth
Press, which subsequently published most of Woolf's work.
The
ethos of Bloomsbury discouraged sexual exclusivity, and in 1922, Woolf
met and fell in love with Vita Sackville-West.
After
a tentative start, they began an affair that lasted through most of the
1920s. In 1928, Woolf presented Sackville-West with Orlando, a
fantastical biography in which the eponymous hero's life spans three
centuries and both genders.
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