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How sick are you?

by Robert Genn

Every so often some researcher will publish fresh info on the mental or physical problems of creative folks. The general implication of some of this stuff is that you have to be just a wee bit sick in order to be creative.

They often show that many historic artists had something wrong with them. The latest outbreak comes from clinical pathologist Dr. Paul Wolf of the University of California.

He cites that illnesses, rather than being obstacles, can be the paths to genius. He cites the likes of Einstein, Warhol, Newton, Cezanne, Goya, Michelangelo, Turner and Berlioz.

According to Wolf these folks suffered varying degrees of depression, autism, myopia, anxiety, chronic pain, gout, stroke and dementia.

Another recent outbreak has to do with sight. According to John Morley of the St. Louis School of Medicine in Missouri, the presence of cataracts leads to Impressionism.

Citing Monet, Renoir and Cassatt, he implies that eye problems helped them to paint the way they did.

Cezanne is mentioned for a diabetic condition that caused the colour blindness that shows in his work.

Van Gogh's probable epilepsy spurred on his hallucinatory imagery--the fuzz and swirls around the stars in "Starry Night."

Edvard Munch had "floaters," that also floated around in his paintings.

Michelangelo's manic depression, now reverse engineered by the experts, affected the way he saw things--according to Morley you can tell by the sad figures on the ceiling of the Sistine Chapel.

Monday morning quarterbacking aside, what about the others who pioneered Impressionism without benefit of cataracts?

Gauguin, Bazille, Sisley, Pissarro, Degas, Morisot, Seurat and Signac didn't have cataracts that I know of.

As a matter of fact, what about many of my friends who don't appear to have anything wrong with them at all, but still find it within themselves to create magnificently and with originality?

Actually, it's possible that the clear-sighted individuals with no known diseases may be the ones who are doing most of the good stuff.

Historically speaking, we artists have been through a hundred years where "artist" has been aligned with "nut case."

It hasn't always been so. I, for one, am working to have this current connection declared null and void. It's always struck me that the artists who I admire are some of the healthiest folks I know--physically, and yep, mentally.

I could be wrong, of course, and the thought of it makes me depressed.

Best regards, Robert

PS: "Had better treatments been available to certain artists of the past, they might not have found their inspiration." (Dr. Paul Wolf)

Esoterica: At Oxford University, Ioan James has a book in progress on Asperger's Syndrome, a form of autism.

[Asperger's Syndrome And High Achievement: Some Very Remarkable People, by
Ioan James]

James argues that the obsessive and repetitious behavior often associated with autism has had a positive result for about twenty successful creators he has studied.

"Perseverance, perfectionism, disregard for social conventions and the opinions of others could be seen as a prerequisite for creativity, and these are also behaviors associated with Asperger's."

I'm happy to report that virtues such as perseverance, perfectionism, and disregard for social convention can also be learned and are frequently self-taught.

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(c) Copyright 2006 Robert Genn

From The Robert Genn Twice-Weekly Letter

> his book: The Painter's Keys : A Seminar With Robert Genn



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