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Ed
Harris on smoking pot and drinkingIn a 2001 interview with My Generation, actor Ed Harris said marijuana led him to acting. In high school, Harris was a football captain and wanted to turn professional. "And then I go to Columbia," said Harris, "and there's, you know, SDS [Students for a Democratic Society] and marijuana and I didn't do anything like that in high school. "You start experimenting, you start thinking about things a little bit differently and you realize you've got to do something else with your life. |
" I stopped playing
ball. I'd seen some summer theater in Oklahoma,
and I thought maybe I could do that." Harris won an Oscar for his
portrayal of painter Jackson Pollock.
Source: Cannabis Canada - quoted on veryimportantpotheads.com ~ ~ ~ Ed Harris, commenting about playing the lead in “Pollock,” has admitted to having ”a slight drinking problem at that time... It had to do with things that you don't talk about, very private and similar fears [to Pollock's] about the need for approval and attention and the desire to do something that makes me feel worthy." > from Actors and Addiction, by Douglas Eby |
David
Milch
- creator, writer, and producer of the HBO series “Deadwood” - spoke in
a interview about some of the reasons people may use or abuse
substances. He is a former heroine addict and alcoholic.“I think that people who have less of a stake in the given reality--risk takers—are drawn to experimentation. They feel less inhibited, and often times they feel driven to an alternative reality. I think that one doesn't create because one takes drugs. I think one creates in spite of it. “You know, St. Ignatius said, ‘Whom the devil would tempt, he tells not a lie, but a lesser truth.’ Drugs are a lesser truth, and I believe that they're-- Jung said that spirits-- there's spirit, and there are spirits. And that spirits are offered to us by the devil as a shortcut to a reaching out to God, but that the in-dwelling with the spirit is achieved by humility. |
“We're
looking for ego suppression in either case, and so creativity, I think,
is a separate process, but what happens is we associate--I used to say,
"Well, I can't quit smoking because I wouldn't be able to write. I
can't quit drinking because I wouldn't be able to write. I can't quit
dope because I wouldn't be able to write." ///
“Now, typically, our egos, especially if we've been wounded in some way--one of the things that makes you feel you have less of a need to stay with the given reality is if, in the given reality, you've had your balls beaten off or, you know, you've had a lot of trauma. "One of the consequences of having so much trauma is the ego feels very fragile, and so what the ego will say to you rather than let you enter into this other state--"Oh, you're gonna lead me? You're gonna lead me? I'm in pain, pal. I need X, Y, and Z before I let you go. I need a drink. I need a smoke. I need to use...” Tavis Smiley Show interview June 11 2004 |
"Ecstasy: In and About Altered States" is a new art show [10.09.05 - 02.20.06] at the Geffen Contemporary in Little Tokyo [downtown Los Angeles] - named after the rave drug.
The exhibition will include “Lots of mind-bending artworks, including a room with giant mushrooms spinning upside down on the ceiling, a gallery furnished with benches that slide across the floor and a strobe-lighted curtain of falling water that looks like a screen of static crystals.”
As it is known in art circles, "The Drug Show" will “fill 60,000 square feet of exhibition space with installations, paintings, sculptures, videos and photographs by 30 artists from Los Angeles to Helsinki, Finland, and Tokyo.
"Some of the artists' works represent altered states of mind that they have experienced under the influence of drugs or hypnosis; others simulate those experiences in works that explore heightened consciousness and play with viewers' perceptions.”
> from article “Mind-bending visions”
by Suzanne Muchnic, LA Times, October 2 2005
> image: Ann Veronica Janssens’ wall-sized light projection
> art show book: Ecstasy : In and About Altered States - by Paul Schimmel, Lisa Mark
> related books:
Sex, Drugs, Einstein, and Elves : Sushi, Psychedelics, Parallel Universes, and the Quest for Transcendence -- by Clifford A. Pickover
Psychedelics Encyclopedia - by Peter Stafford, Jeremy Bigwood~ ~ ~ ~
lyrics from Howl
by Allen Ginsberg (1926-1997)
Ginsberg was interviewed in the documentary No Direction Home : Bob Dylan (2005)
directed by Martin Scorsese
I saw the best minds of my generation destroyed by madness, starving hysterical naked,
dragging themselves through the negro streets at dawn looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night,
who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of coldwater flats
floating across the tops of cities contemplating jazz,
who bared their brains to Heaven under the El and saw Mohammedan angels staggering on tenement roofs illuminated,
who passed through universities with radiant cool eyes
hallucinating Arkansas and Blake-light tragedy among the scholars of war....
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|
more on altered states and art
The many pleasures in Martin Scorsese’s documentary No Direction Home: Bob Dylan include candid interviews with Dylan and other iconic artists including Joan Baez and Woody Guthrie. But it was predominantly about the sixties - so where are the drugs? As Roger Ebert noted in his review, there is almost no reference, except a scene “where Dylan and Johnny Cash do a private duet and it's clear they're both stoned.” Speaking of the great Johnny Cash, Joaquin Phoenix reportedly developed an alcohol dependency from drinking so much to get an authentic portrayal of the singer in the upcoming biopic “Walk The Line.” |
And
some Bob
Dylan references including wikipedia.org say his work was influenced by
using psychedelics and other drugs and alcohol, sometimes at
“dangerous levels.”Of course, as many of us can attest, there are multiple reasons to use substances, from “experimenting” to self-medicating to trying to fuel creative vision. Douglas Eby > related book Chronicles, Vol. 1 - by Bob Dylan |
~ ~ ~ ~
For Victorian poet Elizabeth Barrett Browning, "her opium was a source of poetic inspiration" although she "became a lifelong addict."
[quotes and photo from heroin.org]
~ ~ ~ ~
Drugs and creativity don't go together for me. Like everybody in the '60s, I had one acid trip and some cocaine and hash, you know, the stuff everyone did. But it's been 30 or 40 years since I bothered to do that. What I need is clarity. Even not having enough sleep is a problem for me, never mind doing any kind of drugs.director / writer David Cronenberg .. [imdb.com bio] / photo: George Pimentel/WireImage
> related books: David Cronenberg : Interviews - by Serge Grunberg
Cronenberg on Cronenberg - by David Cronenberg~ ~ ~ ~
Takashi Murakami : So you are not taking drugs now?Yoko Ono : Only vitamin pills... I did a lot of drugs in the past. I mean, the bad ones. [laughs] So I cannot do it anymore...
Back then we weren't aware that those drugs were bad for your health. When artists would read that, for example, Jean Cocteau was taking drugs, we would think, Wow, maybe we should do that. And everybody was doing it.
TM : So you could see another world?
YO : Yes... But you don't necessarily have to do drugs to see that world, you know. My book, Grapefruit, is one example.
I wrote it when I was totally drug-free, but everybody says, "She wrote this on drugs, for sure."
[Interview, June 2005]
~ ~ ~ ~
Aldous Huxley and The Doors of Perception
To be shaken out of the ruts of ordinary perception, to be shown for a few timeless hours the outer and inner world, not as they appear to an animal obsessed with survival or to a human being obsessed with words and notions, but as they are apprehended, directly and unconditionally, by Mind at Large - this is an experience of inestimable value to everyone and especially to the intellectual.
Aldous Huxley. The Doors of Perception
~ ~ ~ ~
Maya Angelou : "Smoking grass eased the strain for me."> from book Sisters of the Extreme: Women Writing on the Drug Experience
~ ~ ~ ~
director / screenwriter Caroline Thompson
on using LSDI was lucky enough to have a good education, and I was surrounded by people who also craved the life of books and the imagination.
I was lucky in two respects, one of them illegal: one was I was sent to a private girls school, and just being surrounded by incredibly intelligent girls...
And the other thing was I discovered LSD, and that somehow made everything make sense for me, where the world is a much stranger place than we know.
And going on those drug journeys, which I did a lot, really just opened it up and made me happy in how weird the world was, as opposed to afraid of how weird it is.
I think fear is the thing that keeps people so tight. Self-consciousness and fear.
So I didn't have the self-consciousness of being separated as a 'brainiac' and somehow I got over my fear of the surreality of the planet.
I loved taking LSD, but I don't have any urge now; I think I'm too old. I couldn't surrender the way I could when I was a teenager, and I got it at just the right time in my life.
> from interview by Douglas Eby
~ ~ ~ ~
I'm a big believer in drugs.. Guided drugs. I really believe in certain types of drugs. If you enter into it in a reverential kind of way, you can discover a lot of things.I'm a really big believer in that. And maybe eventually I'll not even need that to be my entrance into letting go of, let's say, ego, or just, like, being with the being. A lot of people do drugs to kind of escape.
Sandra Oh .. [BUST, June/July 2005] / photo - as Dr. Cristina Yang on Grey's Anatomy (2005 TV series)
~ ~ ~ ~
Huxley on using LSDInterviewers: Do you see any relation between the creative process and the use of such drugs as lysergic acid [diethylamide]?
Aldous Huxley: I don't think there is any generalization one can make on this. Experience has shown that there's an enormous variation in the way people respond to lysergic acid.
Some people probably could get direct aesthetic inspiration for painting or poetry out of it.
Others I don't think could.
For most people it's an extremely significant experience, and I suppose in an indirect way it could help the creative process.
But I don't think one can sit down and say, "I want to write a magnificent poem, and so I'm going to take [LSD]."
> from article: Huxley on Drugs and Creativity (1960) - reprinted in book Moksha: Aldous Huxley's Classic Writings on Psychedelics...
~ ~ ~ ~
Reality is a crutch for people who can't cope with drugs. -- Lily Tomlin
~ ~ ~ ~
Of course, the drug dose does not produce the transcendent experience. It merely acts as a chemical key -- it opens the mind, frees the nervous system of its ordinary patterns and structures. The nature of the experience depends almost entirely on set and setting. Set denotes the preparation of the individual, including his personality structure and his mood at the time.
Setting is physical -- the weather, the room's atmosphere; social — feelings of persons present towards one another; and cultural -- prevailing views as to what is real. It is for this reason that manuals or guide-books are necessary.
Their purpose is to enable a person to understand the new realities of the expanded consciousness, to serve as road maps for new interior territories which modern science has made accessible."
Timothy Leary. The Psychedelic Experience
~ ~ ~ ~
The reward of art is not fame or success but intoxication: that is why so many bad artists are unable to give it up. Jean Cocteau
~ ~
For art to exist, for any sort of aesthetic activity to exist, a certain physiological precondition is indispensable: intoxication.
Friedrich Nietzsche [right] // quotes from brainyquote.com
~ ~ ~ ~
drugs and alcohol ... a sort of
chemical lubricationThe insight, creativity, inspiration and ecstasy of voluntary possession can quickly deteriorate into destructive, involuntary possession, otherwise known as madness or psychosis.
This is the dark side of creativity. This is, for example, one way of thinking about mania in bipolar disorder, which has long been associated with possession, madness, and creativity.
Many artists with this syndrome welcome or seek to intentionally invite possession in order to enhance their creativity.
Drugs and alcohol are often employed precisely for this purpose, a sort of chemical lubrication of the creative process.
But such immersion in the unconscious can be dangerous, and the artist can be swamped, inundated and swept away into full-blown mania.
Or the mood can suddenly switch to its opposite, triggering a major depressive episode. So this shows that creativity can also be a dangerous business.
Stephen A. Diamond, Ph.D. - from interview article:
The Psychology of Creativity: redeeming
our inner demons - by Douglas Eby~ ~ ~ ~
Alan WattsAlmost invariably, my experiments with psychedelics have had four dominant characteristics.
I shall try to explain them-in the expectation that the reader will say, at least of the second and third, "Why, that's obvious! No one needs a drug to see that."
Quite so, but every insight has degrees of intensity. There can be obvious-1 and obvious-2 -- and the latter comes on with shattering clarity, manifesting its implications in every sphere and dimension of our existence.
The first characteristic is a slowing down of time, a concentration in the present.
One's normally compulsive concern for the future decreases, and one becomes aware of the enormous importance and interest of what is happening at the moment.
Other people, going about their business on the streets, seem to be slightly crazy, failing to realize that the whole point of life is to be fully aware of it as it happens.
Alan Watts - from his article [1968] Psychedelics and the Religious Experience
~ ~ ~ ~
....articles:
Gifted, Talented, Addicted - by Douglas Eby
The other effects of getting high - by Judy Foreman [Harvard Med Sch]
But the latest government figures released in September show that illegal drug use is up among young adults between 18 and 25. There may be much that my friend's son, and America's other 16 million illicit drug users, don't know about how street drugs affect the brain.Psychedelics and the Religious Experience - by Alan Watts (Originally appeared in the California Law Review, 1968)
The experiences resulting from the use of psychedelic drugs are often described in religious terms. They are therefore of interest to those like myself who, in the tradition of William James, (1) are concerned with the psychology of religion. For more than thirty years I have been studying the causes, the consequences, and the conditions of those peculiar states of consciousness in which the individual discovers himself to be one continuous process with God, with the Universe, with the Ground of Being, or whatever name he may use...Wherefore art thou, cannabis? - Inebriation and the female muse. By Martin A. Lee
WAS WILLIAM SHAKESPEARE a marijuana smoker? Did he derive inspiration from an occasional pipe full of cannabis? Should we add the prolific English bard to the pantheon of literary giants who augmented their creative genius with mood-altering substances? Dr. Francis Thackeray, a South African paleontologist, suggests that drug use may have contributed to Shakespeare's formidable productivity. Thackeray led a team of scientists who analyzed 24 old clay-pipe fragments unearthed in Stratford-on-Avon, where Shakespeare resided until his death in 1616.~ ~ ~ ~
...sites:.
MAPS: Multidisciplinary Association for Psychedelic Studies
a research and educational organization focusing on the development of beneficial, socially-sanctioned uses of psychedelic drugs and marijuana.Mind States conference - shamanic plants; cognitive enhancement; visionary art etc
~ ~ ~ ~
....books :
Hyla Cass, M.D. and Patrick Holford. Natural Highs
There are potent natural substances -- herbs, amino acids, nutritional supplements and foods -- that can significantly elevate mood, tame stress, and repair memory in ways that work in harmony with your body's own chemistry. This book presents everything from simple solutions to more comprehensive programs (such as those to overcome addictions) combining supplements and mind-body techniques... quotes from hylacass.comMitchell Earleywine. Understanding Marijuana: A New Look at the Scientific Evidence
Mitch Earlywine is a professor of psychology at the University of Southern California, where he teaches "the Drug Class." In Understanding Marijuana he attempts "a presentation of a vast literature for those who prefer to think for themselves rather than be told what to think." That's a refreshing strategy in an emotional and political arena that has often bred less-than-objective reviews and outright propaganda. Throughout this well-documented book, Earlywine summarizes scientific information, historical experiences and controversies in a concise, conversational style. > from review by Steve Heilig, MPHDavid R. Ford, Tod H. Mikuriya. Marijuana: Not Guilty As Charged
Michael Horowitz, Cynthia Palmer. Sisters of the Extreme: Women Writing on the Drug Experience, Including Charlotte Bronte, Louisa May Alcott, Anais Nin, Maya Angelou, Billie Holiday, Nina Hagen, Carrie Fisher, and Others
[from Booklist review:] "The literature of drug-taking usually seems entirely masculine, from De Quincey and Coleridge down to Kerouac and Leary. This substantial anthology demonstrates that women have written about the ecstactic and the dangerous aspects of drug-taking, too... // Grace Slick, Lead Singer of Jefferson Airplane: "A fascinating book. I didn't realize I had so many sisters of the extreme."Michael Horowitz, Cynthia Palmer, eds. Moksha: Aldous Huxley's Classic Writings on Psychedelics and the Visionary Experience
James Hughes. Altered States: Creativity Under the Influence
The book considers how the components of creativity--awareness, energy, loss of self-consciousness--are affected by stimuli to the brain such as meditative rituals, alcohol, and drugs. The impact of altered states on Samuel Coleridge, William Faulkner, Jackson Pollock, and other creative giants is explored, as is the role drugs play in group creativity--jazz, blues music, experimental theater, film. Also discussed are pop icons such as Little Richard, Bob Dylan, John Lennon, Jimi Hendrix, and Jerry Garcia and the visionary, surreal quality often associated with their music, describing ecstatic experience or demonic worlds. [Amazon.com review]Christopher Kilham. Psyche Delicacies: Coffee, Chocolate, Chiles, Kava, and Cannabis, and Why They're Good for You
John Markoff. What the Dormouse Said: How the 60s Counterculture Shaped the Personal Computer
Markoff shows how almost every feature of today's home computers, from the graphical interface to the mouse control, can be traced to two Stanford research facilities that were completely immersed in the counterculture... [including] figures like Doug Engelbart (a research director who was driven by the drug-fueled vision that digital computers could augment human memory and performance... [Publishers Weekly]Robert Masters, PhD and Jean Houston, PhD. The Varieties Of Psychedelic Experience...
Ralph Metzner, PhD et al. Ayahuasca: Human Consciousness and the Spirits of Nature
Ayahuasca is a tea made from two plants found, until recently, only in the Amazon basin. Indigenous people of the region have used it for medicinal and shamanic purposes since time immemorial. In the last century, it has been ceremonially incorporated by polyglot Christian/goddess religions springing up in Brazil and by seekers on the margins of consciousness exploration. In this book, Metzner, a hallucinogenic and mystical experience researcher for over 35 years, has compiled essays and journal-type writings from a wide assortment of people who have experienced its divinity-evoking effects--28 scientists, psychologists, chemists, curious laypeople, and practitioners of these religions.Jacob Sullum. Saying Yes: In Defense of Drug Use
After decades of a futile war on drugs, Saying Yes makes public what many Americans discuss only in private: Drug use as it is described by politicians and propagandists is dramatically different from drug use as it is experienced by the silent majority of users--the decent people who, despite their politically incorrect choice of intoxicants, lead productive and fulfilling lives. In Saying Yes, Jacob Sullum argues that illegal drug use should be viewed the same way as drinking, with an emphasis on temperance rather than abstinence. Sullum rejects the idea that there is something inherently wrong with using chemicals to alter one's mood or mind. He uses compelling stories about real people to illustrate the point that there is such a thing as responsible drug use. [from Reason magazine site reason.com]~ ~ ~ ~
related pages :....awareness / thinking......addiction / dependency......alcohol & talent..........
alcohol resources : articles sites books........addiction resources : articles sites....
addiction resources : books.....
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