Self-esteem
/ Self concept........Talent
Development Resources ...site map
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Wild Geese
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the
rain are
moving across the landscapes...
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over the prairies and deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air are heading home
again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting -- over and over
announcing your place
in the family of things.
Mary
Oliver
from her collection Dream
Work
[image: Wild Geese, woodblock print
by Ohara Shoson, 1926]
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~ ~ ~ ~
Meredith
Vieira : “Where was my self respect”
"He would slap me and then make up.. It escalated to the point where he
actually threw me out of the apartment naked.
"I
sat out all night in the stairwell, and the next morning he let me in.
And that's when I started to plan my departure. It took almost 12
months...
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"But
you wonder. I
consider myself a pretty smart woman, and I
got into this situation... Where was my respect for myself?”
[Meredith Vieira, in MORE magazine.]
Teri
Hatcher in revealing her sexual abuse, commented, "I don't think you
have to be molested to be in pain as a woman, to feel like you don't
deserve good things..." |
~ ~ ~ ~
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Pierce Brosnan
I
know what it’s like to loathe oneself. To feel that deep self-loathing.
It’s painful and ugly and f**ing unwanted. And it got in the way. I can dip in there,
into the old
black-Irish melancholy.
You think “Am I smart
enough? Am
I equipped enough to deal with it
all?” You don’t want it to happen, but it’s part of life.
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My faith has kept me
strong in
times of great distress and turmoil and has given me a touchstone with
myself and more.
[Life mag., Dec
2 2005]
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~ ~ ~ ~
John
Lennon &
insecurity
People would be surprised at how insecure John Lennon was, and his lack
of self esteem. This is a guy who did not have a father to speak of, a
mother who disappeared, an aunt who was a disciplinarian, a failed
first marriage...
Throughout his life, even during the height of Beatle mania, when they
were so successful in the early days, he had poor self esteem.
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And
he told us that in his music: “I’m a loser... I’m not what I appear to
be...”, “Help, I need somebody...”, “Mother, you had me but I didn’t
have you.” ...
He had poor self esteem even though he exuded confidence.
> journalist and biographer Larry Kane [CNN Showbiz Tonight
special
on Lennon, Dec 8 2005]. Kane
was the only American journalist to travel in the official Beatles
entourage during the legendary 1964 and 1965 tours of North America.
> bio: Lennon
Revealed - by Larry Kane
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~ ~ ~ ~
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more
perspectives of
John Lennon
I'm not going to change the way I look or the way I feel to conform to
anything. I've always been a freak.. all my life and I have to live
with that, you know.
If being an egomaniac means I believe in what I do and in my art or
music, then in that respect you can call me that...
The worst
drugs are
as bad as anybody's told you. It's just a dumb
trip, which I can't condemn.. one
gets into it for one's own personal, social, emotional reasons. It's
something to be avoided if one can help it.
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Part of me
suspects
that I'm a loser, and the other part of me thinks I'm God Almighty.
You're just left with yourself all the time, whatever you do anyway.
You've got to get down to your own God in your own temple. It's all
down to you, mate.
> quotes from brainyquote.com
> photo from book: John
Lennon : The New York Years
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You
come to realise there is this huge disparity between what you think
about yourself and your work and what other people think about you and
your work, at first you either think they're insane or that it's a
conspiracy to make you look stupid. Or maybe, just maybe, they're
right, and you're sometimes quite good at what you do.
Bill
Nighy
..
[imdb.com bio]
>
photo: Bill Nighy with Kelly Macdonald in HBO film The Girl in the Cafe
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Many professional and recreational athletes have found
listening to the Self-Esteem
Supercharger before a game or match improves their performance.
Professional soccer player Michael Cestone says, "I had tried
subliminal tapes with limited results, so I had to try the Paraliminals
because they were different.
"I was desperately looking for something to help me prepare for the
season. I noticed results immediately.
"The first time I used the tape I felt more focused and was able to
read the game better, as well as make faster decisions. That was only
the beginning.
~ ~
More details about the above program on
Personal
Growth Information
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Many
creative people, even when they have achieved
recognition for their talents, may experience self-critical thoughts
and insecurity.
Talented film actors often
report they don’t watch their own movies. When you can be seen in
close-ups on twenty foot high theater screens, it may be especially
hard not to criticize your appearance and performance.
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Kate
Winslet
has admitted that before going off to a movie shoot, she sometimes
thinks, “I’m a fraud, and they're going to fire me... I'm
fat; I'm ugly.”
Highly creative
and talented people
are,
according to research on giftedness, often susceptible to perfectionism
and unreasonably high standards and expectations that can lead to
exaggerated criticism.
> article Being
Creative and Self-critical - by Douglas Eby
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~ ~ ~ ~
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I
have varying degrees of confidence and self-loathing.... You can have a
perfectly horrible day where you doubt your talent. It could be about
not feeling able to achieve a certain
scene or about an emotion you feel you weren't able to get to... Or
that you're boring and they're going to find out that you don't know
what you're doing... any one of those things.
Meryl
Streep .. [The
Sunday Times Magazine, October 2004]
> photo as Sen.
Eleanor Shaw in The Manchurian Candidate (2004, Paramount)
>
related page :...impostor
syndrome.
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~ ~ ~ ~
self-doubting
/ self
sabotage
There is nothing more frustrating than getting to the verge of success
then shooting ourselves in the foot.
It
begins when the computer of oneself was being programmed at an early
age, an incident or incidents happened that affected the way that we
think about success.
Competition breeds self sabotage. Whenever
we enter a competition, exam, contest we will project into a desired
outcome. For example an outcome of winning a competition, or getting
selected to represent our team, or winning a promotion.
Now
supposing that
outcome is not realized and someone else wins the prize or gets the
promotion. What
we are left with is our 'projection of success' not
being realised. |
This
mental energy,
which is what it actually is, turns
to disappointment, then perhaps bitterness, if we do not resolve the
outcome in ourselves.
This perhaps leads to the world view, that
the world is unfair, that others get better opportunity than we do and
so forth. If left unchecked this creates a perfect ecology for self
sabotage.
We then start to think about ourselves as someone who
doesn't get selected, win the promotions, make the big sales, and
behave in a way, that confirms this view of ourselves. This is self
sabotage. In the book, you can go
through an exercise that will help you build an antidote to self
sabotage.
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~ ~ ~ ~
In her
13th summer, Jane
Fonda began
seriously hating her own body.
(This
"disembodiment" resulted in bulimia... and an addiction to Dexedrine
that persisted well into Fonda's 40s. It was not until [after 1997],
she writes, that she was able to "reinhabit" her body.)
She.. attended
Vassar College, but she dropped out and convinced her father to send
her to Paris to study painting.
This was a time
of deep depression, "an existential mourning for the lack of meaning in
my life, a yearning for the emergence of an authentic self I wasn't
sure existed," she writes. ///
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"All my life,"
she writes in the final
chapter,
titled "Leaving My Father's House," "I had been a father's daughter
… seeing myself through the eyes of men and accommodating
them on the deepest, invisible level (while seeming to do the contrary)
and, in so doing, delivering a part of myself to a world that
bifurcates head and heart."
Why didn't she
become a feminist sooner?
"I erroneously
thought it required male bashing," she writes.
> from
review by Susan Salter Reynolds
[LA Times April 5, 2005] of Jane Fonda's memoir
My Life So Far
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.
The
Enchanted Self
When
I first began to analyze data from the women
I interviewed, I kept trying to understand how their enhanced adult
lives evolved from the childhoods they talked about.
I found that
although there seemed to be some clear connections, many others were
not clear at all. This mystery further influenced my choice of the The
Enchanted Self as a term to express these positive ego-states.
The capacities
of these women to re-claim positive aspects of their childhood, while
discarding the dysfunction that was often also present, was astounding
to me.
It seemed as if
a magic wand had been tapped on
the women's heads in their adult lives.
For example,
when Edith talked about her childhood, she at first remembered only its
dysfunctional aspects: the fighting between her parents and their
constant criticality.
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I suggested
that we go back and look again at her childhood to identify times when,
in spite of the pain of family life, she felt excited about her own
life and about herself. ....
The magic was
that the adult Edith could integrate the overly functional, meticulous
child she once was into an enormously competent professional woman who
gained positive self-esteem and gratification from her abilities.
She even found
the time to develop her talent for dancing.
Thus Edith's
enchanted self in adulthood was really the successful integration of
the compulsive traits created by negative childhood experiences, with
old pleasures and new talents.
Dr. Barbara
Becker Holstein - from
her book
The
Enchanted Self :
A Positive Therapy -
available
on her site The Enchanted Self
>
also see her article Practical
Steps to Enchantment
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~ ~ ~ ~...
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Idina Menzel on embracing your
uniqueness
Everybody
in some
way or another can feel completely alienated and like an outcast...
When you’re an artist usually you have to take risks and usually you
have to put yourself on the line and go against the grain in order to
be great and unique.
And then you sort of stand up for what you believe and are able to
resist the negativity and things people will say to you. So that’s one
aspect of Elphaba.
We
women have this strength inside of us and yet we are taught to always
sort of keep it down.
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If we’re
too big or
too angry or too bold or too
beautiful or too talented, it can scare people. It might
scare other
women, it might scare men, whatever it is.
I sort of found in my life
that I’ve taken a step back and made myself smaller in order to try to
fit in.
And that hasn’t worked. And we have to learn to kind of embrace
what makes us unique, and embrace our strength and then if people don’t
like it, ** it.
Idina Menzel [musicalschwartz.com interview]
photo
at left [by
Joan Marcus] - Idina Menzel [in her green makeup] and
Kristin Chenoweth as Elphaba and Glinda in the Broadway musical “Wicked”
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~ ~ ~ ~
.
Lauren
Bacall refers often to her insecurity -- it is the curse of actors (and
particularly herself) to need the approval of strangers -- but to her
credit, she gets out there and does the work.
"For
the real stakes in the theatre are high -- they are life stakes," she
says.
Her
successes have been darkened with much more pain: "At the age of twenty
I had grabbed at the sky and had touched some stars. And who but a
twenty-year-old would think you could keep it?" ///
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"I'm
hanging in," Bacall says in summary. Work "keeps me in high spirit."
Her
self-confidence is improved "if still a bit
shaky." Critics' opinions can never be completely ignored, but "what
really matters is that I matter to myself."
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.
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I think what became
more important
to me was not how other people saw me but how I saw myself. I do run a
company. I am consistent at work. My bosses think that I will show up
on time, and I'm reliable to them.
I can respect
myself. That ended up becoming the important journey for me. And, of
course, I'll always be a bit of a ridiculous clown, 'cause I just can't
help it.
Drew
Barrymore
> from
True Drew
- by Nancy Juvonen, Glamour, Mar 2004
photos
-
left : Lester Cohen/WireImage // right : Eddie Adams
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~ ~
~ ~
| On
the other hand, the most creative and morally advanced people are
typically
not models of high self-esteem.
But
this insecurity is usually a sign of an active conscience at work.
Moreover,
the insecurity and the demons it feeds, are necessary elements of a
creative
temperament and we have plenty of evidence that without them no
meaningful
creative efforts, especially in art, can be undertaken.
Czeslaw
Milosz, Polish poet and writer, and a Nobel laureate, who died this
year,
attested to this, when he confessed: “From early on writing
for me has
been a way to overcome my real or imagined worthlessness”.
Imagine that.
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..
..
There
remains something positive to be said about not feeling too comfortable
with oneself. Perhaps all great human endeavors have at their root
feelings
of inferiority.
> from
article What
Is Wrong With
Feeling Good
-
by
Elizabeth Mika
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I
read the script [for "Garden State"] and it was like no other part I'd
had the opportunity to play, someone so uninhibited and unreserved and
lets all her flaws shine.
That
was really exciting to do, and liberating. I'm a pretty inhibited
person
myself. I try not to be, but years of adolescence train you to be
embarrassed
about everything that's weird about you... A lot of what this movie's
about
is how can you be different and find your unique place in the world.
Natalie
Portman ...
LA Times August 2, 2004 / Garden
State [dvd]
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~
~
~ ~

..
..
I
still
doubt myself every single day. ... What people believe is my
self-confidence
is actually my reaction to fear. ...
I've
always had a horrible fear of not achieving. I think that comes from my
relationship with my mother and especially my grandmother, who believed
I could do anything. She held me in such high esteem that I never
wanted
to fail her. She and my mother were central in my life. ///
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I've
learned to use [self-doubt and fear of failure], to flip that negative
energy around and make it a challenge.
I keep
going because I doubt myself. It drives me to be better. I've learned
that
the mastery of self-doubt is the key to success.
It's
like being animated by the love of a woman -- the need to be worthy of
her. That's the spot Jada holds in my life. I have to be better,
stronger
for her. It makes me excel.
Will
Smith
from
"My Fear Fuels Me" - By Dotson Rader,
Parade,
July 11, 2004
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~ ~
~ ~
believe in yourself
[Do you have
any advice for young actresses?]
You have to
believe in yourself and not just what other people say. I remember
walking through the streets of New York, being a waitress and not even
at the point of pursuing it.
Just mailing my
headshots out, walking around and thinking, "Why am I trying to be an
actress? The odds are so against me. Why am I trying to do
this?"
|
But something
inside of me just kept doing it. I think something inside of me just
believed that this is what I should do.
Not that I was
trying to be some movie star, but that I would try to have a career at
this. I guess just believe in yourself and take the risks. You know
that's what it is really. It's really risky.
Kim Dickens...
[Venice magazine April 1998]
photo
: as Joanie Stubbs in HBO series "Deadwood"
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~
~ ~
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Life
is not easy for any of us. But what of that? We must have perseverance
and, above all, confidence in ourselves. We must believe that we are
gifted
for something, and that this something, at whatever cost, must be
attained.
Marie
Curie...
[quoted in Personal Success newsletter
from Brian Tracy Int'l]
>
related book : Obsessive Genius : The Inner World
of Marie Curie by Barbara Goldsmith
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~ ~ ~ ~
| At
times, I feel like my life is one long coming-out process. The first
time
I shared a part of my life with someone else, it wasn't
pleasant.
As
a five-year-old, living in a rickety farmhouse in a conservative
Midwestern
suburb, I invited a friend over to make cookies. Later she told me she
didn't want to play with me anymore.
Why?
Our cookie sheets were not shiny -- they were burned. I had unwittingly
come out to her as a poor girl.
After
the cookie sheet fiasco, I would have liked to stifle our family's
eccentricities,
but I knew we had too many of them.
I had
a freaky physicist dad who cried at the drop of a hat, a hippie artist
sister; we lived with my strident feminist grandmother and sulky
grandfather,
and later we lived with my lesbian mother and her partner.
Eccentric
example: in junior high, my girlfriends' mothers were teaching them how
to shave their legs and armpits.
Meantime,
my mother begged me not to shave, reminding me that I would miss this
expression
of my full woman-inity, or whatever she called it.
It
wasn't just my family; I had my own eccentric pursuits. As a teenager
attending
a picture-perfect high school on Chicago's North Shore,
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..
..
I
stayed
up late doing symbolic logic puzzles, started an underground newspaper,
created an activist student group and attended conferences about
nuclear
proliferation.
Writing
about these geeky adventures now, I realize I'm proud of them.
I guess
I spent many of my early years learning a difficult lesson: when you
know
for sure that you can't blend in, you realize you also can't pass as
normal.
You
can either truly honor your uniqueness or invalidate yourself.
Julia
Mossbridge - from her
article Spirituality
for Geeks -
Conscious
Choice, March 2004
> book:
Julia Mossbridge. Unfolding
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*related
pages:.......eccentricity........early
life
~ ~ ~ ~

..
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Too
often women see themselves through the eyes of
those who devalue their contributions, and many blindly accept the myth
that we are not supposed to direct our lives with courage.
Allowing these
concepts to flourish is to deceive ourselves as to our true value and
potential.
If we hold the
assumption that we cannot change
things, we will live our lives reacting to other instead of taking
action ourselves.
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..
..
By
reclaiming a courageous self-image that is
based on concrete information, we can bring about positive change and
move from resignation to the excitement of making self-rewarding
choices.
Sandra Ford
Walston
[site]
....Courage: The Heart and Spirit of
Every Woman :
Reclaiming
the Forgotten Virtue
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...
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~ ~
...
 |
Another
kid had been killed in a car crash. He was driving alone and drunk. I
understood
it in an odd kind of way. We don't really value our own lives. Most
of the kids in Maplewood were unhappy and felt insignificant (me
included),
but along with this feeling that we were insignificant we had this
overblown
opinion of ourselves.
Nothing
could happen to us. We were beyond it. Above and below. I was the same
way. It could have been me except I was too busy being crazy in other
ways.
....Thelma,
age 14, from the novel
Crazy Eights by Barbara Dana (1978)
[image:
detail of book cover illustration by Robert J. Blake]
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...
~ ~
~ ~
...

..
..
I
play
true to my heart, because I have been an outsider my whole life simply
by being a woman of African American, Native American, Filipino,
Chinese
and Spanish descent, I know what it is like to be stereotyped and
defamed
without people knowing my character. ...
[To
consistently play an outsider, you have to have a
pretty
strong will. Where does your strength come from?]
My
grandfather always wanted us to be self-sufficient, especially the
girls
in the family.
He
taught us to drive the speedboat, to fish and hunt, to survive in the
wilderness..
to take care of ourselves.
I always
saw rural families teaching their women; city families protected their
women and didn't teach them very much. ....
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..
..
Eventually
Bob Vila came into our lives, and taught women how to pick up a hammer
and screwdriver. He's been my idol ever since! ....
[My
character in The L Word] is evolving, and so am I. Whoever we are [as
people]
is not concrete.
Pam
Grier
from
article: She's Here, She's Grier
by
Denise Sheppard, BUST
winter 2003]
photos:
left: unknown date;
right
in Showtime series The L Word (2004)
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...
*related
pages:.......courage/confidence........identity
~ ~ ~ ~
...
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Self Limiting
High Potential Persons.. etch
enduring pathways over time by repeating their characteristic
self-defeating methods... this tendency can evolve into a general
self-limiting style. ....
one of the
styles
: Sleepers.
The style most often seen in people from families or communities
without models or traditions of high achievement. Sleepers lack
accurate information about themselves, the extent of their talent, and
ways to express it. ...
more styles:
Extreme Non-Risk-Takers ; Delayers ; Charmers ; Self-Doubters /
Self-Attackers ; Extreme Risk-Takers ; Rebels ; Misunderstood Geniuses
; Best-or-Nothings
....Your Own Worst Enemy: Breaking the
Habit of Adult Underachievement -
by Kenneth W.
Christian, PhD
more styles
listed on page : self-limiting
behavior
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.....
~ ~ ~ ~
...
You are
usually your own worst enemy. It's a
classic Catch-22. You cannot truly create something great unless you
are willing to share your tenderest, most vulnerable thoughts and
feelings.
Yet, once you
do that, you may be racked with
self-doubt and fear. Few artists are able to accurately assess just how
valuable and great their work is -- or how much it will be appreciated
by its audience.
In other words,
insecurity is the name ofthe game.
|
Suzanne
Falter-Barns -
from her article Coaching
Creativity: 7 Lessons From Artists
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....
.......
more
:***self-esteem
/ self concept.:
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/ self concept resources :
sites articles books.........change
/ growth sites
*courage/confidence..........identity..........ego
/ narcissism..........androgyny..........eccentricity
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Development Resources*----**site
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