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Sex and the Brain

When it comes to sexuality, men and women to some extent are differently tuned. For men, arousal and desire are often intertwined, while for women, the two are frequently distinct....

For example, male arousal, studies find, is strongly visual, and when men engage in sexual activity or even anticipate it, brain structures once thought to have little connection to sex spring into action. 

The same brain regions, however, remain relatively quiet when women are aroused.

At the core of the sexual divide, some researchers say, is the amygdala, an almond-shaped nugget embedded in the limbic system, the brain's seat of emotions. ...

[Researcher] Dr. Stephan Hamann.. pointed out that the amygdala is known to have intricate connections to primates' visual systems. 

One reason for the powerful response to visual stimuli in men, he said, could be cultural. Men tend to be inundated with sexual imagery and, possibly, are more likely to seek it out.

Evolution may also have a role. ...

"For millions of years, men have had to size up a woman's reproductive capacity by looking for signs of youth and health that would enable them to carry a healthy baby," said Dr. Helen Fisher, an anthropologist at the Center for Human Evolutionary Studies at Rutgers, and the author of a recently published book, "Why We Love: The Nature and Chemistry of Romantic Love." ...

Dr. Fisher has studied the brains of people in the early stages of romance. For a man, she found, pictures of a new partner light up parts of the brain involved in visual processing and arousal. But women, she noticed, show more activity in areas linked to reward, emotion and attention.

"Men, despite what most people think, fall in love faster than women do, probably because they're so visual," Dr. Fisher said. ...

Yet to play down the role of visual stimulation for women would be unwise, researchers say, and female admirers of Brad Pitt or George Clooney would probably agree. 

In research last year at Northwestern, Dr. Meredith Chivers, demonstrated that women could sometimes have more powerful responses to visual stimuli than men, although in different ways.

In her study, which ignited a small firestorm, Dr. Chivers used a device to measure genital arousal in subjects as they looked at pornography. 

Heterosexual men, she found, were aroused by footage of men and women having sex. 

Gay men reacted to two men having sex. Women, regardless of sexual orientation, responded to everything. 

In some cases, she said, women reported no sexual arousal, though the device said otherwise.

"One of the fascinating things was that the female responses to sexual images were fast and automatic," said Dr. Chivers... 

"The fact that they were not always aware speaks to there being other factors involved like emotion and psychological influences."

from article: Sex and the Brain: Researchers Say, 'Vive la Différence!'  - by Anahad O'Connor, NYTimes, March 16, 2004

photo from HBO.com - Sex and the City [dvd list]

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The noun 'perversion' is frequently taken as a means to making the noun 'pervert' rather than as a verb. 

Because bodies are seen as finished once they exhibit adult sexual drives, the rigidity of the term pervert is affirmed upon intervention from other discourses: medicine, psychoanalysis, genetics. 

Theorising the body as existing not purely as a spatial subject, but in time as a series of open reconfigurations and constant change suggests other ways of understanding the self and the subject as being in permanent flux.

Normalised subjectivity is itself a constant re-enactment of the constellation of what one wants to be, believes oneself to be, and societal expectation. 

For this reason all subjects are open to the potential of perverting themselves and each other through act, the force of relation, and affect, but none are pervert in an ontologically static sense. 

To actively seek to pervert the predictable pattern of subjective enactment, here beginning with the paradigm of sexuality, is to challenge the enactment of subjectivity as necessarily a re-enactment, but a possible place for transgression.

from article Perversion: Transgressive Sexuality 
and Becoming-Monster - 
by Patricia MacCormack [thirdspace]

Geoffrey Rush as The Marquis de Sade, and Kate Winslet 
as Madeleine 'Maddy' LeClerc in Quills (2000) [dvd]

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....Aroused : A Collection of Erotic Writing - 
by Karen Finley

While posing for Playboy magazine, freelance Bill of Rights defender Karen Finley was told, while chocolate dripped down her nipples, that her smirk wasn't "Playboy sexy."

When writing for nerve.com, the so-called erotic on line magazine, she was told she would need to replace the word "cock" with something.. less objectionable.

Having heard her friends complain of similar silliness Karen has invited them to write "whatever the hell you want" to reawaken this "exhausted topic."

Aroused is an anthology of erotica, sexual culture, passionate texts, sensual encounters and essays on gender bending, neurotic erotic lust, school girl antics, coming of age, and first times, ranging from personal gratification to denying gratification, control, submission, possession, and jealousy, with race, age, and economics thrown in for a more heightened emotional response.

Aroused defies our now familiar compartmentalization of sexuality and the erotic hit list of specialties: the best of lesbian erotica, the best of the new erotica, the best of old man and the sea erotica, famous person tattoo erotica, eclectic, esoteric erotica....   [publisher summary]

image from book: A Different Kind of Intimacy : The Collected Writings of Karen Finley

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Why did big-brained Homo sapiens suddenly emerge some 150,000 years ago? ... 

Leonard Shlain, author the bestselling Art & Physics and The Alphabet Versus the Goddess argues that profound alterations in female sexuality hold the key to this mystery. 

Long ago, due to the narrowness of her bipedal pelvis and the increasing size of her infants' heads, the human female began to experience high childbirth death rates, precipitating a crisis for the species. 

Natural selection adapted her to this unique environmental stress by drastically reconfiguring her hormonal reproductive cycle. 

Her estrus disappeared and menses mysteriously entrained with the periodicity of the moon. 

Women formulated the concept of a month, which in turn allowed them to make the connection between sex and pregnancy. 

Upon learning the majestic secret of time these ancestral females then gained the power to refuse sex when they were ovulating. Men were forced to confront women who possessed a mind of their own.

Women taught men about time and the men used this knowledge to become the planet's most fearsome predator. Unfortunately, they also discovered that they were mortal. 


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Men then invented religions to soften the certainty of death. Subsequently, they belatedly grasped the function of sex. 

The possibility of achieving a kind of immortality through heirs drove men to construct patriarchal cultures whose purpose was to control women’s reproductive choices.

Leonard Shlain explores how these archaic insights about sex, time and power dramatically altered all subsequent human cultures, from the nature of courtship to the institution of marriage to the evolution of language.

from book site

Sex, Time and Power: How Women's Sexuality Shaped 
Human Evolution -- by Leonard Shlain

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"I suppose the word 'arousal' sums it up: it's reaching - oh I suppose in your heart - reaching toward something that you want to touch. So, it's a little exciting, it's a little scary, it's full of doubt, yet none of those feelings make me stop when something really arouses me."

Pal, 45, singer, USA - from Linda Troeller website

....The Erotic Lives of Women - by Linda Troeller, Marion Schneider

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excerpt from The Place Beyond Opposites by William A. Henkin -

A Review of The Sacred Prostitute: Eternal Aspect of the Feminine 
by Nancy Qualls-Corbett 
and Phallos: Sacred Image of the Masculine by Eugene Monick

In The Sacred Prostitute, Nancy Qualls-Corbett seeks "to bring to conscious awareness aspects of feminine nature which have been misunderstood, devalued or lost to the unconscious," and to "examine the interrelatedness of sexuality and spirituality and ... how each may bring life to the other." 

She fulfills her mission by examining the ancient tradition of the maiden who ritually welcomes a passing stranger-man to her bower and dedicates their love-making to the goddess she worships. 

Because of the spiritual nature of the rite, the couple's consummation awakens the feminine aspects of both partners, and enables them to carry the power of their transformation into the world at large as spiritual and sexual beings.

In Phallos Eugene Monick explores phallic worship, not in its contemporary, genital expression as swaggering macho bravado, but as a spiritual feature of "sexuality ... [which] is at bottom a religious issue, opening a door in the psyche which permits the god-image standing behind it an entrance into ego awareness."

Both authors recognize that sexuality and spirituality have been twisted in the popular mind by centuries of misrepresentation, and that as a consequence readers may be made uncomfortable with the fact that they are linked in these books. 

But as Monick writes, "The union of sexuality and religion is like an electrical connection. Wrong joining leads to disaster. No joining produces no energy. Proper joining holds promise." 

At several points in her study of the relationship between female sexuality and spirituality, Qualls-Corbett distinguishes between Logos, the masculine principle of rational reasoning easily represented by what is logical, and Eros, the feminine principle of relatedness represented by the erotic. 

As Monick also does in his study of the relationship between spirituality and male sexuality, she further separates the principles from gender.

"Masculine" does not mean "man," and "feminine" does not mean "woman." 

Not only may women express themselves logically and men express themselves erotically, she writes; it is even necessary for each to embrace the other's strength before transformation can take place and the two principles become united, coequals in consciousness.

...related pages:.....depth psychology.......mythology......spirituality

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In this book I have given the reader an uncensored, inside look at all the workings of the sex industry, from movies and magazines to men's clubs and all that goes along with it. By reading these excerpts from my personal diary, I share with you the excitement, elation, anger and fear that have comprised my life. 

As the first Native American porn star, I show you how this line of work is seen in the eyes of my people and I share some of the healing ceremonies I have experienced. Why would a sexually abused and abandoned young woman decide to get into such a business? Many women say it is empowering. What kind of lives did these women have before entering the world of X? Why do they say it increases their self-esteem. Why have so many, including the Godmother of my children, committed suicide?

*book:**The Secret Lives of Hyapatia Lee by Hyapatia Lee

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How did I achieve goddess status? In my more self-deprecating moments, I've said, "Because no one else wanted to." 

But in a more celebratory mood, I would say it was because of my most elementary passions -- sex, reading, and writing -- and because my passion for those things became a mission.

I was also ambitious at a time when there was a vacuum -- where there should have been bountiful literature. There were a lot of beautiful stars in the writing universe to whom no one was paying any attention. I cultivated that world, and it was a galaxy of future Olympians. 

Erotic writing today is not only the best work of its kind that we've ever seen in the English language, it also has had an indelible effect on all of American literature. The flinching factor is gone -- the former stigma and prejudice against erotic writing have been exposed for the embarrassing ignorance that they represented. 

If I've acted as a goddess in that stream of events, I've been glad to be part of the faith.**Susie Bright

*How to Write a Dirty Story : Reading, Writing & Publishing Erotica

photo of Susie Bright by by Della Grace from susiebright.com

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Erin Cressida Wilson - screenwriter of "Secretary" [dvd]

I think that sex is an exposure and a revealing of our wounds, our underbellies and our frailties. I think of sex as a very honest form of communication. And through it, we can see the core of a person.... 

[moviemaker.com, Summer 2002] 

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The movie ["Secretary"].. can't be compared to anything. It's not an S&M film. I know that when she's spanked, there's often a laugh in the audience. It's very funny. It's also very sexy to me. 

A big part of the way I write is to combine humor with sex. It's not salacious. It can be fun. "Secretary" doesn't politicize the sexuality or the relationship. It doesn't insist on taking sides.

Also, it doesn't seek to solve problems. The secretary does not seek to get over her masochism as if it were a deviant problem. 


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She actually embraces it. It also turns cliches on their heads. Instead of her running to arrest him and screaming equal rights, she falls in love with him. 

And he in turn gets afraid. She owns her submissive quality. ... I was brought up as a feminist. Maybe the movie represents a wave of feminism that hasn't been named.  ... [LA Times, Sep 27 2002]

*The Erotica Project
by Lillian Ann Slugocki, Erin Cressida Wilson

 
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*****Naomi Wolf


Wolf, whose previous books "The Beauty Myth" and "Fire With Fire"
established her as a leading third-wave feminist, believes that "shame,
silence and secrecy" linger around female sexuality.

In order to destroy this aura, she says, women need to discuss and write about
their sexual histories openly. They also need to initiate their daughters into a
sense of joyful womanhood.

Her own adolescence was full of confusing signals. As a young teen, she witnessed
the liberation of sexual imagery from "behind the red curtain" of Tenderloin
massage parlors. At 15, being fitted for a diaphragm was "easier than getting
your learner's permit to drive a car."

But new sexual freedoms came with a twofold message to girls: "You can
do anything... and you can get called a slut for it."

She believes that this double standard persists in today's culture. In some senses,
she believes, things are "more extreme than ever" in a society that encourages girls
to embrace sexuality before they're emotionally ready and then damns them for doing so.

"We need to sever the link between girls' and women's sexuality
and the sense of shame," she said.   [Jewish Bulletin of Northern California, July 11, 1997 ]

***book:**Promiscuities : The Secret Struggle for Womanhood by Naomi Wolf


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Springing out of the furthest edges of animation is the world of hentai, a genre of triple-X cartoons that
explores the sexual frontiers in an incongruously childlike format. The star is typically a perky, doe-eyed
female in a high school uniform. Her co-stars range from slobbering businessmen and sadomasochistic
school officials to hormonal extraterrestrials.

When the two groups meet, their escapades are often a mix of graphic violence, weird sex and plot lines
that can only be described as over the top. Hentai, which literally means "perversion," is a product of the
multibillion-dollar Japanese animation industry...

Much of the strange activity in hentai, assumed by critics to be purely for shock value, evolved from artists
who exploited loopholes in Japanese obscenity laws, said Jonathan Clements, co-author of the Anime Encyclopedia. ...

And animators began drawing female characters that looked like busty preteens... To Western eyes, the characters
appear childlike. But to Japanese viewers, the distinction is not as clear. Over time, the seduction or sexual violation
of such girlish characters evolved into a socially acceptable catharsis within the sexually repressed Japanese culture,
an exorcism of fantasy that is taboo in the real world, according to author Helen McCarthy, co-author of
The Erotic Anime Movie Guide.

[from article: "X-Rated Fantasies in a Cartoon Genre - Japan's hentai films, with doe-eyed characters
and bizarre sexuality, find a U.S. market" By P.J. Huffstutter, LA Times June 13 2002]

*videos: ***Koihime***3 Anime DVDs -New Titles-Koihime 1&2; & Mission of Darkness
 

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When he was researching his book on sexual mores and figures in American society, Thy Neighbor's Wife, Gay Talese told me his studies showed that 5% of women responded to pornography like men. 

Meaning they preferred explicit visual images to discrete or written imagery. I think the internet and easy availability of video porn have increased the numbers of women who enjoy explicit sexual imagery to 10% - 20%, but that still leaves a sizable majority who prefer what would be called erotica: tasteful, non-sexual nudity or written sexual material. 

Of that group 80% might prefer the written word. 

As a woman who prefers visual imagery it's hard to say why so many of my sisters find it vulgar. I suspect competition is a big factor. 

Women traditionally compete with other women through appearance... get sidetracked comparing themselves to the female models when looking at sexual photographs, instead of voyeuristically enjoying the scene as a man would. 

Dian Hanson.. [Soma mag., May 2002]
Hanson is the sexy book editor at publisher Taschen, and author of Naked as a Jaybird

images l - r :

Vintage Erotica Anno 1940 [dvd]

Sex and the City by Candace Bushnell  -- [book] ... [dvd]

Chocolate Therapy Kurotel Brazil - 12"x18" - Photopainting on Watercolor Paper - 
by Linda Troeller - from lindatroeller.com

her book: The Erotic Lives of Women - by Linda Troeller, Marion Schneider

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On Firefly, you play Inara, a "companion" or highly revered sex worker better compared to a courtesan
than a call girl. On the show, companions are universally respected and they choose their partners. 
Is this an enlightened attitude of the future, do you think?

I think so. I think it could be something very interesting because she's modeled in some ways after a geisha. ... They say that geishas are keepers of tradition, and Inara has a very old-fashioned feel to her. She went to a companion academy, a training school, as a child, where she learned different languages and different instruments. Very cultured. 

It seems like she's a keeper of an older tradition in a world where everything is so fast and about survival, and it's more about indulging the senses and the arts. It's so fun. ... 

I've been fascinated with geishas for a long time. I read that book Memoirs of a Geisha, and I really loved it, and there's another book called Geisha: The Life, the Voices, the Art with beautiful pictures of geishas today in Japan.

I'm reading a book right now about legalizing prostitution. I'm very curious about that because I'm not sure how I feel either way. There are pros and cons to it. There are very strange and interesting arguments. The argument is that it might clean up its association with drug dealing if it were legal. For example, places like the Mustang Ranch seem like a very controlled environment. But also, it's bizarre because it seems to me the women there don't really live like regular people. They're confined to that space and they're objects. .....Morena Baccarin... [playboy.com interview]

...books:**Memoirs of a Geisha   /   Geisha: The Life, the Voices, the Art  /  Geisha, a Life

from book: Geisha, a Life

Morena Baccarin

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While they charmed some of Europe's most illustrious men.. the great courtesans gained riches, power, education, and sexual freedom in a time when other women were denied all of these.

From Imperia of fifteenth-century Rome; Mme. de Pompadour... to Sarah Bernhardt, who, following in her mother's footsteps, supported herself in her early career with a second profession. ... 

They were strongwilled, autonomous, and plucky. An open secret, their presence can be felt throughout our culture. The muses who enflamed the hearts and imaginations of out most celebrated artists, they were also artists in their own right.


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They wrote poetry and novels, invented the cancan at the Moulin Rouge, and presented celebrated acts at the Folies-Bergere. 

They helped to influence and shape the sensibility of modern literature, painting, and fashion.

from: The Book of the Courtesans: A Catalogue of Their Virtues
by Susan Griffin

additional books by Susan Griffin :

What Her Body Thought

Woman and Nature: The Roaring Inside Her

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The Yoni: Sacred Symbol of Female Creative Power by Rufus C. Camphausen

If you are interested in exploring the sexual nature of religion from a feminine perspective then youll get something from this book. ... Validation of your own beliefs that incorporate the power of female genitalia will be found here. If you are looking for the definitive study of worship of the yoni and/or sexual spirituality, this book will not satisfy you... but at least it is a place to start if you wish to explore sexuality and spiritual practices.

from review by TammyJo Eckhart on site: KinkyBook.com
artwork: "Yoni" by Doris Naef Malerin - from site: swissart.ch/dona

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Books may not be as popular as movies or TV these days, but you have to hand it to them: they're still our filthiest medium, God bless 'em. You can get away with things on paper that you could never sing about or show onscreen. ... Words say things even bodies can't.

from review by Lev Grossman [Time, Sept. 16, 2002] of :

*book:**The Crimson Petal and the White by Michel Faber

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